oh baby. WANT.
better than a message in a bottle.
If it looks like this DSLR has been through a lot, it’s because it has.
It hung out at the bottom of the ocean and later washed up on shore in Canada! Marcus found it with 50 photos intact and managed to find the owner via Google+!
DSLR’s Voyage to the Bottom of the Ocean & Back
via Engadget
(via filmsocietyla)
oh hey, camera that i’d like to have.
Lens Cap Pouch Tutorial
totally making this over the summer. yea you can always stick your lens cap in your pocket, but i have a fear of it falling out (and me not knowing) or sitting on it. but of course, no velcro please.
finally got around to watching The Social Network the other day. it’s an excellent film and one that, for me, lived up to the hype. i also thought it interesting how facebook/Mark Zuckerberg has a film about it/him even though the subject matter has such a future ahead of it—i guess it’s a fitting parallel to the almost instant, record-it-as-it-happens nature of facebook.
one part really visually stood out for me (and i’m sure a lot of other people), and it’s the tilt shift Henley Regatta sequence (see above video). so, i did a little digging and discovered that David Fincher used the effect as a result of location limitations:
We could only shoot 3 races at the Henley Royal Regatta; We had to shoot 4 days of boat inserts in Eton. The only way to make the date for release was to make the backgrounds as soft as humanly possible. I decided it might be more “subjective” if the world around the races fell away in focus, leaving the rowers to move into and out of planes of focus to accentuate their piston-like effort.
i’m a firm believer that more often than not, having budgetary/location constraints will promote creativity, and it happens even when you’re David Fincher making a studio movie. also, check out the bad boy Fincher (all dressed up) shot the film on (yes, the RED—but holy fuck, look at that lens!): 
Canon 7D vs. Barbie Video Girl
This weekend I was in London. In Camden market I bought an old used camera for 1 pound. It’s a chinese Halina 260 in really poor condition. With my great my surprise inside i found a 24-exposure expired roll .Today I did develop the film and this’ the result.
It would be great to find these great and friendly fishermen to send back them the original negatives.
I think It would be a great romantic story.
Please help me to find the english fishermen…reblog this post…share with all of your contact…please help me!!!!
thanx a lot in advanace
Adriano
